![]() "I pick the brightest part of the scene, meter it in manual and set the shutter speed and f/stop to bring the manual meter to center on the display. "I go to manual exposure for my panoramic images," he says. Rod shoots aperture priority for almost everything, but not for panoramas because he doesn't want the camera making automatic settings. Shooting a panorama horizontally is fine, too, but it can result in very narrow image. If yours doesn't have that feature, Rod suggests a little accessory called the Double Bubble level, which slides into the camera's hot shoe.įor most panoramas, it's best to shoot with your camera mounted to the tripod in the vertical position that way you'll have plenty of room to crop the top and bottom of your stitched image. Many Nikon DSLRs offer a feature called Virtual Horizon that will guide you to your level best. The essential first step: level the tripod. Next, a ball head for that tripod so you can smoothly and accurately turn your camera to capture the sections of the scene that the software will stitch to form the big picture. Gear: First, a tripod with a built-in bubble level. It will be significant to you, too, if you'd like to maximize the quality of a framed print for your home-or for the print you'd like to give as a gift. "Stitch three sections together and you've almost tripled your resolution, and thus tripled your enlarging capabilities." Which is a significant, as part of Rod's business is fine-art sales. "Panoramas gain information, detail and resolution," he says. To make a panorama, you take several shots that capture overlapping sections of the scene then you use imaging software to seamlessly stitch (that is, join) the sections together.įor Rod, panoramas represent a different and dramatic way of capturing the grandeur of nature, and they allow him to present that grandeur in large-size prints. But it is pretty basic, and the results are very cool.Ī panoramic image depicts a field of view considerably wider than the one that can be captured in one exposure, and it tells a more complex story and draws the viewer of the image closer to the feeling of what it was like to be there. At least 7.When we asked the noted outdoor and nature photographer Rod Planck about his method of shooting panoramas, the first thing he said was, "I like to keep it simple." We like to hear that, though he did add that making panoramic images isn't spontaneous point-and-shoot photography it takes some preparation.Before you publish any Photo Spheres, make sure that they are:.There are multiple other apps with similar functionalities that you can find online. The list of 3rd party publishing tools featured on the Street View website is not exhaustive.If you’re a developer, you can create your own tool with the Street View Publish API. Check the app maker’s website for instructions.Īfter you create links in the chosen tool and publish them to Google Maps, allow up to 4 days for processing to complete. You can also use apps made by other companies, which also allow you to link your Photo Spheres into connected indoor or outdoor virtual tours. You can upload individual Photo Spheres to Google Maps the same way you publish flat images by using the Google Maps app, or the Google Maps platform on your computer. When you take photos indoors, limit your collection to 100 photos.Take photos from the street and continue until you're inside the place.Follow natural paths and walkways so that there’s a clear line of sight between the photos.Space the photos about 2 small steps apart (1 m/3 ft) when indoors and five steps apart (3 m/10 ft) when outdoors.Helmet: Make sure to keep your head still when you take your photos. ![]()
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